ADORN THE COMMON @ WPP LONDON

Layered Dyed Resin on Mirror Polished Stainless Steel

Size: 42cm x 60cm

Kohlben Vodden is a contemporary artist working between London and Dubai, recognised for his wall-mounted spectral sculptures that investigate the relationship between colour, light, and perception. Exhibited internationally at institutions including the Saatchi Gallery, Christie's, and the Victoria and Albert Museum, Vodden’s practice explores how abstract ideas might be experienced purely through colour and optical sensation. Themes such as resilience, acceptance, and self-mastery are translated into immersive chromatic fields where meaning emerges through perception rather than representation.

Each sculpture is produced through a proprietary multi-layered process using dyed resin and mirrored surfaces to create shifting optical effects through depth, transparency, and reflected light. Responsive to movement and environment, the works continually transform in relation to the viewer, positioning light itself as an active material within the composition. Balancing conceptual rigour with sensory experience, Vodden’s practice reflects an ongoing investigation into abstraction, perception, and the emotional potential of colour as a spatial and psychological force.

Layered Dyed Resin on Mirror Polished Stainless Steel

Size: 42cm x 60cm

Kohlben Vodden is a contemporary artist working between London and Dubai, recognised for his wall-mounted spectral sculptures that investigate the relationship between colour, light, and perception. Exhibited internationally at institutions including the Saatchi Gallery, Christie's, and the Victoria and Albert Museum, Vodden’s practice explores how abstract ideas might be experienced purely through colour and optical sensation. Themes such as resilience, acceptance, and self-mastery are translated into immersive chromatic fields where meaning emerges through perception rather than representation.

Each sculpture is produced through a proprietary multi-layered process using dyed resin and mirrored surfaces to create shifting optical effects through depth, transparency, and reflected light. Responsive to movement and environment, the works continually transform in relation to the viewer, positioning light itself as an active material within the composition. Balancing conceptual rigour with sensory experience, Vodden’s practice reflects an ongoing investigation into abstraction, perception, and the emotional potential of colour as a spatial and psychological force.

Glass Bugle Beads on Illusion Netting (Comes Framed)

Size: 92cm x 134cm

Sam D'Cruze is a multidisciplinary artist whose practice spans painting, textiles, and socially engaged art, exploring themes of memory, identity, and resilience through layered surfaces, abstract embroidery, and text-based interventions. Her tactile works balance intimacy with abstraction, using materiality and process to reveal traces of personal and collective experience.

Originally founder of the luxury design label Darkest Star, D’Cruze developed an early sensitivity to craftsmanship, sensuality, and the body that continues to inform her contemporary practice. Textile and stitch become vehicles for narrative, emotion, and repair, reflecting a deeply considered approach to making.

Alongside her studio practice, D’Cruze’s work is rooted in social engagement and community collaboration. Following the loss of her father to alcohol dependency in 2015, her practice evolved into one centred on creativity as a tool for healing and connection. In 2022, she founded Child Of Project C.I.C., supporting individuals in recovery, those experiencing homelessness, and neurodiverse communities through workshops and exhibitions. She holds a Master of Research in Fine Art and Humanities from the Royal College of Art.

Enamel On Original Postcard,

Size: 40cm x 50cm

A self-taught, multidisciplinary artist working across collage, painting, and assemblage, Kavel explores the creative potential of found and appropriated materials, from vintage magazines and postcards to discarded printed ephemera. Her practice is rooted in a sustainable, frugal approach to making, revealing unexpected beauty within what is often overlooked or discarded. Subtly subversive, her work combines abstraction, redaction, and visual editing to construct new narratives around form, connection, femininity, and sapphic identity, often referencing the Japanese concept of ma (the relationship between negative and positive space). Embracing chance, imperfection, and the patina of time, she layers and reworks materials into dynamic compositions that feel both nostalgic and contemporary, transforming fragments into playful, considered explorations of order, chaos, and meaning.

Enamel On Original Postcard,

Size: 40cm x 50cm

A self-taught, multidisciplinary artist working across collage, painting, and assemblage, Kavel explores the creative potential of found and appropriated materials, from vintage magazines and postcards to discarded printed ephemera. Her practice is rooted in a sustainable, frugal approach to making, revealing unexpected beauty within what is often overlooked or discarded. Subtly subversive, her work combines abstraction, redaction, and visual editing to construct new narratives around form, connection, femininity, and sapphic identity, often referencing the Japanese concept of ma (the relationship between negative and positive space). Embracing chance, imperfection, and the patina of time, she layers and reworks materials into dynamic compositions that feel both nostalgic and contemporary, transforming fragments into playful, considered explorations of order, chaos, and meaning.

“Jungle Bloom” is an original oil painting by Alexander Weaver that presents a regal tiger poised within an abundant arrangement of tropical flora, drawing upon the compositional richness and symbolic language of Old Master still life traditions. The work echoes the visual opulence of Dutch Golden Age painting, where natural elements are meticulously arranged to evoke themes of beauty, vitality, and transience, while here reinterpreted through a more immersive, jungle-inflected setting.

At the centre of the composition, the tiger is rendered with quiet authority, neither in motion nor aggression, but in a state of composed stillness that emphasises presence over action. Surrounded by dense, luminous blooms, the animal becomes both part of and distinct from its environment, embodying a balance between power and elegance. Weaver’s refined handling of texture, pattern, and light unifies the scene, resulting in a work that feels simultaneously classical in its sensibility and contemporary in its atmospheric intensity.

Original Oil On Canvas, Unframed

Size: 60cm x 80cm x 1cm

“Striker” is an original oil painting by Alexander Weaver that depicts a bird of prey rendered with striking regality, perched among an opulent arrangement of florals inspired by the Dutch Golden Age still life tradition. The composition draws clear reference to the visual language of Old Master painting, where botanical abundance and symbolic natural forms are used to explore themes of beauty, transience, and power. Here, Weaver elevates the raptor into a commanding central presence, its poised stillness suggesting both alertness and restraint.

The bird’s plumage is rendered in rich, layered hues of blue, lending the work a heightened sense of nobility and atmospheric depth. Set against the intricate floral backdrop, the contrast between predator and bloom creates a dynamic tension between strength and delicacy, dominance and ornamentation. Weaver’s technical precision and sensitivity to light and texture reinforce the painting’s classical influences while maintaining a contemporary clarity of vision. Striker ultimately reads as a study of controlled power within natural abundance, where symbolism and realism converge in a visually resonant, painterly harmony.

Original Oil On Canvas, Unframed

Size: 60cm x 80cm x 1cm

“The Bachelor” is an original oil painting by Alexander Weaver that reinterprets the still life and allegorical traditions of the Dutch Golden Age through a singular, quietly evocative subject: a lone rabbit rendered with anthropomorphic presence. Drawing on the compositional richness and symbolic layering associated with Old Master painting, the work situates its figure within a carefully constructed arrangement that includes florals reminiscent of classical vanitas and floral still life traditions, where beauty and transience are held in constant dialogue.

Rather than a restrained study, the painting is opulent in both texture and visual density, with Weaver’s handling of light, fur, and botanical detail echoing the meticulous craft of the Dutch masters. The rabbit, isolated yet fully present, becomes a symbolic focal point, a meditation on independence, instinct, and self-contained existence within a richly constructed natural world. In contrast to The Marriage, which explores relational intimacy, The Bachelor embraces singularity, framing solitude not as absence but as presence in its own right.

Original Oil On Canvas, Unframed

Size: 46cm x 56cm x 1cm

Endymion III is an original oil painting by Alexander Weaver that revisits the classical Greek myth of Endymion, the eternally youthful shepherd granted perpetual sleep and beloved by the moon goddess Selene, through a more traditionally composed and historically referential approach. In contrast to contemporary reinterpretations within the series, this version returns to the visual language of academic painting, with the figure depicted in a state of restful repose, partially draped in flowing cloth that echoes the conventions of Renaissance and Neoclassical figuration.

Weaver’s attention to anatomical structure, tonal modelling, and atmospheric light reinforces the work’s classical sensibility, situating the figure within a timeless, mythic stillness. The softly arranged drapery not only frames the body but also enhances the sense of idealised beauty and suspended time that has defined Endymion’s representation in Western art history. Endymion III stands as a contemplative study of mythic archetype and form, reflecting Weaver’s fluency in traditional painterly techniques and his ongoing dialogue with the canon of classical figuration.

Original Oil On Canvas, Unframed

Size: 60cm x 80cm x 1cm

“Hypnos in Blue” is an original oil painting by Alexander Weaver that reimagines the Greek god Hypnos, the personification of sleep, through a contemporary figurative lens. In classical tradition, Hypnos is associated with stillness, dreams, and the threshold between consciousness and unconsciousness, a subject long favoured in academic painting for its psychological and allegorical depth. Weaver preserves this lineage of classical rendering, particularly in the careful modelling of the body and the calm, suspended atmosphere that defines the composition.

Set against a cool, enveloping blue tonality, the figure is presented in a state of serene repose, yet grounded in the present through the inclusion of simple white briefs, a deliberate contemporary detail that reframes the mythic subject within modern intimacy. This juxtaposition of antiquity and present-day realism creates a subtle tension between the timeless and the immediate. Weaver’s handling of light, skin, and shadow introduces a quiet erotic undertone, not overt but implied through vulnerability, proximity, and stillness. Hypnos in Blue stands as a meditation on rest, embodiment, and the enduring adaptability of myth within contemporary figurative painting.

Original Oil On Canvas, Unframed

Size: 46cm x 61cm x 1cm

“Icarus” (Variation) is an original oil painting by Alexander Weaver that reinterprets the Greek myth of Icarus, traditionally the figure who flew too close to the sun, through a more restrained and contemplative lens. Rather than depicting flight or descent, Weaver presents the figure standing in quiet suspension, wings present yet at rest, evoking a moment before ambition becomes consequence. The composition shifts the myth away from narrative climax and instead lingers in psychological ambiguity, where possibility and restraint coexist.

Rendered with a softer, more cherubic sensibility, the figure carries an almost sculptural delicacy, balanced by an underlying sense of masculine presence and physical weight. Weaver’s handling of light and skin tone enhances this tension, allowing the work to hover between innocence and seduction, vulnerability and self-possession. By removing overt action, Icarus (Variation) becomes a study of potential rather than fall, a meditation on desire, control, and the quiet intensity of myth held in stillness.

Original Oil On Canvas, Unframed

Size: 46cm x 61cm x 1cm

“Endymion IV” is an original oil painting by Alexander Weaver that reinterprets the mythological figure of Endymion through a distinctly contemporary lens. Drawn from Greek mythology, Endymion has long been depicted in art as the eternally youthful shepherd loved by the moon goddess Selene, a symbol of beauty, stillness, and idealised repose. Weaver revisits this enduring subject with a modern sensitivity, portraying the lounging figure not in the classical drapery or loincloth traditionally associated with academic painting, but in simple white briefs, subtly grounding the myth within a recognisably contemporary world.

This thoughtful shift in styling transforms the figure from distant archetype into modern muse, allowing the painting to exist between antiquity and present-day intimacy. Weaver’s careful handling of light, flesh, and atmosphere preserves the dreamlike stillness central to the Endymion myth, while the understated modern attire introduces a quiet immediacy and humanity to the composition. Rich in painterly nuance and classical reference, Endymion IV reflects the artist’s continued interest in renewing mythological subjects through contemporary figuration and emotional restraint.

Original Oil On Canvas, Unframed

Size: 60cm x 80cm x 1cm

“Rugby Match” is an original oil painting by Alexander Weaver that offers a strikingly grounded and observational counterpart to the mythological and symbolic narratives often associated with the artist’s work. Focusing on the physical intensity and atmosphere of a live rugby scene, Weaver captures the rhythm of movement, shifting light, and tactile detail with remarkable sensitivity. The painting demonstrates his command of texture and tonal balance, from the weight of the players’ forms to the subtle variations of weather, grass, and fabric across the composition.

While more traditional in subject matter, Rugby Match retains the emotional intelligence and painterly sophistication that define Weaver’s practice. Rather than romanticising the scene, the work embraces realism through careful observation and an acute awareness of human presence within space and light. The result is a painting that feels both immediate and timeless, a compelling study of movement, camaraderie, and atmosphere rendered with technical confidence and restraint.

Original Oil On Canvas, Unframed

Size: 50cm x 50cm x 1cm

“Actaeon” is an original oil painting by Alexander Weaver that draws inspiration from the mythological figure of Actaeon, the hunter of Greek legend who was transformed into a stag after unexpectedly witnessing the goddess Artemis bathing. Historically associated with themes of forbidden sight, vulnerability, and punishment through vision, the myth has long fascinated artists for its psychological and symbolic complexity. Weaver reinterprets this narrative through a restrained and contemplative lens, presenting a lone nude figure walking silently through calm waters, suspended in a moment that feels both intimate and quietly exposed.

The painting’s atmosphere is defined by stillness: soft reflections, muted tones, and the openness of the surrounding landscape heighten the emotional solitude of the figure. Yet beneath this calm surface lies a subtle tension between observation and privacy, tenderness and voyeurism, echoing the enduring significance of the Actaeon myth itself. Weaver’s delicate handling of the body and water creates a work that feels deeply human and psychologically charged, inviting viewers into a scene that is at once timeless, cinematic, and emotionally elusive.

Original Oil On Canvas, Unframed

Size: 30.5cm x 40.5cm x 13.5cm

“The Sun” is an original oil painting by Alexander Weaver inspired by the enduring symbolism of the tarot card of the same name, an emblem of illumination, truth, and spiritual renewal. Beneath a turbulent sky, a solitary figure stands with hands crossed over his chest as sunlight quietly breaks through the clouds, casting the composition in a warm and contemplative glow. Weaver’s sensitive handling of light and atmosphere creates a moment suspended between introspection and revelation, where the emotional weight of the scene is carried as much by gesture as by sky and subtle landscape.

Referencing the tarot’s associations with clarity, vitality, and the emergence of hope after uncertainty, The Sun offers a contemporary interpretation of a timeless archetype. The painting balances classical figurative sensibilities with a dreamlike symbolic atmosphere, inviting viewers to reflect on themes of resilience, inner awakening, and emotional openness. Rich in mood and painterly depth, the work will appeal to collectors drawn to symbolic art, contemporary figuration, and tarot-inspired imagery.

Original Oil On Canvas, Unframed

Size: 46cm x 61cm x 1cm

“Aconite” is an original oil painting by Alexander Weaver that explores the seductive tension between beauty and danger through the symbolism of the aconite flower, historically associated with both healing and poison. Weaver presents the figure with a striking sense of intimacy and psychological depth, using luminous flesh tones, layered brushwork, and a richly atmospheric palette to create a work that feels at once classical and deeply contemporary. The painting carries a quiet sensuality, inviting prolonged viewing and emotional interpretation.

Rooted in themes of vulnerability, desire, and transformation, Aconite reflects Weaver’s ongoing interest in queer figuration and mythic symbolism. The work balances softness with underlying unease, allowing the viewer to navigate the space between attraction and threat, tenderness and restraint. Both contemplative and visually arresting, the painting will appeal to collectors of contemporary queer art, figurative painting, and emotionally charged symbolic works.

Original Oil On Canvas, Unframed

Size: 40cm x 50cm x 1cm

“Offered Fruits” is an original oil painting by Alexander Weaver that reimagines the biblical symbolism of Eden through a sensual and distinctly queer perspective. Depicting an Adam-like figure reaching toward an apple within a lush garden setting, the work draws upon the visual language of classical religious painting while transforming it into a meditation on desire, vulnerability, and awakening. Weaver’s luminous handling of oil paint, attention to the human form, and rich botanical detail create an atmosphere that feels both sacred and intimately corporeal.

Balancing mythological reference with contemporary homoerotic undertones, “Offered Fruits” invites viewers to reconsider temptation not as transgression, but as an act of self-discovery and longing. The painting’s quiet sensuality and painterly depth make it especially compelling for collectors of queer art, contemporary figurative painting, and works that thoughtfully reinterpret historical narratives through a modern lens.

Original Oil On Canvas, Unframed

Size: 42cm x 59cm x 1cm

In this opening piece of the triptych, Weaver draws directly from the atmospheric tension of the Dutch Golden Age still lifes, his use of chiaroscuro and delicate detail echoing artists like Jan Weenix or Rachel Ruysch. Two birds hover mid-motion, caught in a moment of mutual recognition. Their placement and posture suggest both hesitation and magnetic pull, a fleeting second suspended in time, where connection first begins.

This work invites the viewer to recall that exact moment: when a glance across a room changes everything. Weaver’s technique is quietly exquisite, every feather rendered with intimate care, every shadow weighted with anticipation.

Original Oil On Canvas, Unframed

Size: 59.4cm x 52cm x 1cm

Here, Weaver masterfully captures the dance of flirtation through symbolic storytelling. A curious kitten crouches in playful pursuit of a butterfly, a perfect metaphor for that intoxicating phase of romance where boundaries blur between seduction and spontaneity.

The tension between movement and stillness, a hallmark of Dutch still life, is beautifully present: the butterfly mid-flight, the kitten set to pounce. The lush textures and meticulous rendering show Weaver’s deep reverence for classical techniques, but what elevates this painting is its narrative nuance. Beneath the charm lies the suggestion of vulnerability, desire, and the instinct to chase what might always remain just out of reach.

Original Oil On Canvas, Unframed

Size: 59.4cm x 52cm x 1cm

In the final painting of the series, two rabbits sit nestled beneath a brooding sky, the stillness of the composition evoking the quiet intimacy that follows the storm of passion. Here, Weaver channels the emotive stillness of artists like Heda and Claesz, but instead of food or flowers, he offers a scene rich with symbolic warmth and emotional weight.

The rabbits, soft and exposed, are rendered with remarkable tenderness. Their closeness signals commitment, while the surrounding darkness hints at the real world pressing in, the external pressures love must weather. It’s a painting about protection, about choosing each other despite uncertainty. Weaver’s technique is both restrained and rich, a testament to his ability to communicate volumes through gesture, light, and silence.

Original Oil On Canvas, Unframed

Size: 59.4cm x 52cm x 1cm

Original Acrylic On Canvas, Natural Light Wood Edge

Size: 100cm x 100cm

Original Acrylic On Canvas, Tray Framed

Size: 65cm x 65cm

Original Oil On Canvas

Size: 76cm x 51cm x 4cm

Original Oil On Board, Tray Framed

Size: 44cm x 44cm x 5cm

Original Oil On Board, Tray Framed

Size: 34cm x 34cm x 5cm

Original Oil On Canvas

Size: 102cm x 76cm x 2cm

An original Acrylic on Linen of a faceless figure or perhaps you see a perfectly portrayed character, either way this highly coveted mystery guest is the perfect addition to any contemporary collection.

A faceless figure or perhaps you see a perfectly portrayed character, either way this highly coveted mystery guest is the perfect addition to any contemporary collection.

Originally from the North East of England, Gavin Dobson graduated in Fine Art in 2000 and has been building his profile and portfolio as an artist specialising in painting and screen printing, often combining the two, which helps communicate his chosen narrative. He uses both vivid colours and expressive strokes to create engaging and lively pieces.

Original Oil On Board, Framed In Unglazed White Wood

Size: 64cm x 64cm x 5.5cm

Curator Notes

Combining the softness of brush work and the effortless precision of a palette knife, this one of a kind abstract portrait demonstrates skill and finesse enabling the artist to capture the very essence of his subjects. A palette of rich regal tones in Ox Blood, Hunter Green & Saddle Brown ooze leathery warmth.

A faceless figure or perhaps you see a perfectly portrayed character, either way this highly coveted mystery guest is the perfect addition to any contemporary collection.

Description

Medium: Acrylic on Linen

Size: 40cm x 50cm