Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience
Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience
Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience
Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience
Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience
Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience
Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience
Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience

Wake (sometimes, even in the darkest valley there is a light) | Kadir Karababa I Oil On Canvas

£3,500.00

Original Oil on Canvas (Comes Framed with Velvet Detail Inlay)

Size: 42.5cm x 49.5cm

Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience, capturing a moment of heightened awareness. Balancing exposure with uncertainty, the work explores the desire to be seen and understood, transforming a deeply personal experience into a meditation on connection, identity, and belonging.

Original Oil on Canvas (Comes Framed with Velvet Detail Inlay)

Size: 42.5cm x 49.5cm

Wake presents a disembodied self-portrait defined by a single, piercing blue eye. Emerging from darkness, the fragmented form conveys both fragility and resilience, capturing a moment of heightened awareness. Balancing exposure with uncertainty, the work explores the desire to be seen and understood, transforming a deeply personal experience into a meditation on connection, identity, and belonging.

  • Jazmine Miles-Long describes herself as an ‘ethical’ taxidermist, producing work exclusively from animals that have died of natural causes. A taxidermist, artist, and natural history restorer, she specializes in creating bespoke, ethically sourced taxidermy for galleries and museums. Through her practice, Jazmine promotes ethical approaches to the craft, using sustainable and conservation-grade materials, traditional techniques, and meticulous attention to detail to preserve the natural beauty and character of each specimen.

    Her work elevates taxidermy as a respected art form, highlighting its scientific, cultural, and educational value. Beyond creating artworks, Jazmine delivers lectures and workshops at various institutions, exploring ethics, conservation, and the role of makers in shaping a better future for the planet. Each piece she produces is both an artwork and a tool for reflection, inviting viewers to engage intimately with the intricacy, fragility, and wonder of the natural world.

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