Acrylic On Canvas

Size: 53cm x 43cm x 3.3cm (Comes Framed in Black Tray Frame)

Limited Edition of 50, Individually Hand Painted

This painting sits within a larger collection inspired by the coded intimacy of vintage personal ads—when desire was analogue, discretion was survival, and everything meaningful happened just outside the frame. Referencing George Michael’s 1998 arrest at Will Rogers Memorial Park, Outside nods to a moment when a quiet, private act became an accidental act of pop-cultural rebellion. What could have been career-ending instead became defiant, joyful, and strangely liberating, culminating in Outside, a hit that parodied the incident and transformed exposure into power. Mimicking the tone of back-page newspaper classifieds, the work balances wit, humour, and emotional honesty, embedding shared signals and coded references for those who recognise them. No digital footprints, no apologies—just a reminder that sometimes being “caught” changes nothing at all. If you know, you know.

Acrylic On Canvas

Size: 53cm x 43cm x 3.3cm (Comes Framed in Black Tray Frame)

Limited Edition of 50, Individually Hand Painted

Lunatic draws on the wink-and-nudge language of vintage personal ads, back when desire was coded, connections were analogue, and red flags came wrapped in charm. Loosely inspired by real encounters, the work reflects the familiar pattern of strong, independent women being reframed as “too much” by narcissistic, misogynistic men who mistake confidence for a challenge. Mimicking the tone of old newspaper classifieds, the piece balances wit and emotional honesty, using humour and subtle signals to expose how manipulation often arrives disguised as romance. There are no digital references here—just quiet clues, shared recognition, and the kind of knowing laughter that comes from having seen it before. Because if you know, you know.

Acrylic On Canvas

Size: 53cm x 43cm x 3.3cm (Comes Framed in Black Tray Frame)

Limited Edition of 50, Individually Hand Painted

This painting belongs to a larger collection rooted in the language and coded intimacy of vintage personal advertisements, artifacts from a time when analogue connection reigned, long before dating apps and digital visibility reshaped how desire is expressed. Each work is informed by a real person or lived connection, yet deliberately avoids any contemporary digital reference, instead harking back to an era when seeking companionship, particularly within the gay community ,often required discretion, nuance, and courage. Mimicking the tone and format of back-page newspaper ads, the collection balances wit, humour, and emotional honesty, embedding subtle references and shared codes throughout. These details reward those who recognise them, because if you know, then you know.