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Adorn The Common
Adorn The Common
Artists & Brands
AA Watson
Billy Bagilhole
Carl Fox
Caroline Chinakwe
David Platts
David Shrigley
Donald Baugh
Gavin Dobson
Gerry Buxton
Harriet Parry
Isalu Ishii
Jacob Kamara
Jennine Wilson
Jessica Albarn
John Collingwood
Joseph Yanney Ewusie
Magnus Gjoen
Mark Jackson
Nigel Rose
Oliver Pavic
Oliver Mayhall
Sad Boy Studio
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Shumaiya Khan
Sofia Karakatsanis
Tim Fowler
Warren King
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AA Watson
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Isalu Ishii
Jacob Kamara
Jennine Wilson
Jessica Albarn
John Collingwood
Joseph Yanney Ewusie
Magnus Gjoen
Mark Jackson
Nigel Rose
Oliver Pavic
Oliver Mayhall
Sad Boy Studio
Stanley Onah
Shumaiya Khan
Sofia Karakatsanis
Tim Fowler
Warren King
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ART Carl Fox | The Hours Stumbled By | Original One Of A Kind Framed Marquetry
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry Image 1 of 3
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry Image 2 of 3
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry Image 3 of 3
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry
Carl Fox The Hours Stumbled By Original One Of A Kind Framed Marquetry

Carl Fox | The Hours Stumbled By | Original One Of A Kind Framed Marquetry

£5,500.00

Epsom and pebble grain leather, Masur Birch wood veneer framed marquetry.

Add To Cart

Epsom and pebble grain leather, Masur Birch wood veneer framed marquetry.

Epsom and pebble grain leather, Masur Birch wood veneer framed marquetry.

Artist

Carl Fox

Curator Notes

Epsom and pebble grain leather, Masur Birch Wood veneer framed marquetry

Description

Medium Leather & Wood

Size: 143 X 83 CM

Edition: Unique Original

About The Artist

Carl Fox is a London based, self taught, leather craftsman and marquetry artist. He works from his studio in Greenwich, at Cockpit, a collective of diverse artists and makers at the forefront of their disciplines. Originally a hairdresser by trade, Carl has dedicated his spare time over the last twenty five years to learn a range of craft skills that have culminated in the practice he has today. Ranging from interior design to upholstery, textile work to furniture restoration, Carl eventually discovered leather craft and it's been a love affair ever since. Following an award of studio space and mentoring from the Worshipful Leathersellers Company and Cockpit, Carl was able to develop and evolve his practice allowing him to create art full time. 

Carl's process is heavily influenced by mid century and brutalist architecture alongside modernist design. Inspired by the work of Oscar Niemeyer, Frank Lloyd-Wright, Miro, Mondrian and more, he uses geometric abstraction to create thought provoking, tactile pieces that the viewer can get lost in. His work focuses on how memory of time, place or emotion can be triggered by colour and texture alone, without the use of figurative imagery. Carl is passionate about using as many existing materials as possible. He favours using leather that has been produced for the luxury fashion industry, and due to overproduction, has become unused, surplus stock. Pairing this with wood veneer, often offcuts ,  he designs marquetry artworks with a nostalgic nod to a past era.


Carl is quickly gaining attention for his art works and skills with leather. He has works in collections both in the UK and internationally, has participated in shows such as Collect Art Fair and London Craft Week, and takes on a range of private and public commissions. In 2023 Carl received the Carpenters Company QEST Scholarship to push his practice even further, and will be exploring traditional steam bending techniques with wood. He aims to combine these heritage craft skills to move his work from a 2D format to 3D , interactive sculptural forms.


‘My art is an exploration of human emotion through form, texture, colour and line. An insight into the raw feelings that come from daily experience. The hidden undulance of every individual thought we never dare share.


For me, abstraction is cathartic. A healing process that occurs when texture and colour combine. By using both the tactile nature of leather and the sweeping grain of wood, I create stories in my pieces that are as individual as the person viewing them. Each and every artwork reflecting the observers experience. Each piece is born from waste product, surplus stock or offcuts. I include the faults, scars or cracks that would normally make these materials unusable.


 Structured yet imperfect.’


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