A Small Evil Falls Over The Land | Kazland I Acrylic, Wax Pastel, Oil Pastel & Pencil

£1,150.00

Acrylic, Wax Pastel, Oil Pastel & Pencil (Comes Framed)

Size: 59.9cm x 84.1cm

Kazland is a self-taught multidisciplinary painter whose deeply intuitive practice exists somewhere between dreamscape, memory, and emotional excavation. Creating richly layered works populated by recurring symbols, distorted perspectives, and abstracted forms, Kazland constructs immersive worlds that feel at once playful, haunting, and psychologically charged. Rooted in themes of loss, escapism, and personal mythology, his paintings unfold like fragmented narratives, revealing strange terrains shaped as much by instinct and feeling as by formal composition.

Working almost entirely through intuition, Kazland embraces spontaneity and subconscious mark-making, allowing each work to evolve organically through colour, shadow, and symbol. The resulting pieces possess an outsider sensibility while demonstrating a remarkable command of balance, atmosphere, and visual storytelling. There is both vulnerability and quiet intensity within the work, where moments of darkness are countered by humour, tenderness, and wonder.

Emerging from a distinctly neurodivergent way of seeing and processing the world, Kazland’s practice resists conventional categorisation. His paintings invite viewers into imagined psychological spaces that feel simultaneously unfamiliar and deeply human — places where emotion, memory, and fantasy converge into a uniquely raw and compelling visual language.

Acrylic, Wax Pastel, Oil Pastel & Pencil (Comes Framed)

Size: 59.9cm x 84.1cm

Kazland is a self-taught multidisciplinary painter whose deeply intuitive practice exists somewhere between dreamscape, memory, and emotional excavation. Creating richly layered works populated by recurring symbols, distorted perspectives, and abstracted forms, Kazland constructs immersive worlds that feel at once playful, haunting, and psychologically charged. Rooted in themes of loss, escapism, and personal mythology, his paintings unfold like fragmented narratives, revealing strange terrains shaped as much by instinct and feeling as by formal composition.

Working almost entirely through intuition, Kazland embraces spontaneity and subconscious mark-making, allowing each work to evolve organically through colour, shadow, and symbol. The resulting pieces possess an outsider sensibility while demonstrating a remarkable command of balance, atmosphere, and visual storytelling. There is both vulnerability and quiet intensity within the work, where moments of darkness are countered by humour, tenderness, and wonder.

Emerging from a distinctly neurodivergent way of seeing and processing the world, Kazland’s practice resists conventional categorisation. His paintings invite viewers into imagined psychological spaces that feel simultaneously unfamiliar and deeply human — places where emotion, memory, and fantasy converge into a uniquely raw and compelling visual language.

  • Jazmine Miles-Long describes herself as an ‘ethical’ taxidermist, producing work exclusively from animals that have died of natural causes. A taxidermist, artist, and natural history restorer, she specializes in creating bespoke, ethically sourced taxidermy for galleries and museums. Through her practice, Jazmine promotes ethical approaches to the craft, using sustainable and conservation-grade materials, traditional techniques, and meticulous attention to detail to preserve the natural beauty and character of each specimen.

    Her work elevates taxidermy as a respected art form, highlighting its scientific, cultural, and educational value. Beyond creating artworks, Jazmine delivers lectures and workshops at various institutions, exploring ethics, conservation, and the role of makers in shaping a better future for the planet. Each piece she produces is both an artwork and a tool for reflection, inviting viewers to engage intimately with the intricacy, fragility, and wonder of the natural world.

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