1849 by Stanley Onah an Original Oil Painting
1849 by Stanley Onah an Original Oil Painting
1849 by Stanley Onah an Original Oil Painting
1849 by Stanley Onah an Original Oil Painting

1849 | Stanley Onah I Original Oil Painting

£1,250.00

Original Oil and oil Pastel On Linen Lined Board, Tray Framed

Size: 50cm x 40cm x 4.8cm

Part of the “From Ancient Braids, To Contemporary Fades” Collection 2025

In “1849,” Stanley Onah delivers a haunting meditation on identity and loss. The painting’s solemn blue palette envelops a shaven-headed figure, evoking the mid-19th century and the brutal realities of the transatlantic slave trade. A stark barcode is etched across the canvas, serving as a harrowing symbol of commodification and the erasure of individuality. Slave traders and enslavers often shaved the heads of enslaved Africans as a deliberate act to dehumanise, sever cultural ties, and strip away personal identity. Through this poignant imagery, Onah compels viewers to confront the enduring scars of history, while honouring the resilience and dignity of those who endured such profound injustice.

Original Oil and oil Pastel On Linen Lined Board, Tray Framed

Size: 50cm x 40cm x 4.8cm

Part of the “From Ancient Braids, To Contemporary Fades” Collection 2025

In “1849,” Stanley Onah delivers a haunting meditation on identity and loss. The painting’s solemn blue palette envelops a shaven-headed figure, evoking the mid-19th century and the brutal realities of the transatlantic slave trade. A stark barcode is etched across the canvas, serving as a harrowing symbol of commodification and the erasure of individuality. Slave traders and enslavers often shaved the heads of enslaved Africans as a deliberate act to dehumanise, sever cultural ties, and strip away personal identity. Through this poignant imagery, Onah compels viewers to confront the enduring scars of history, while honouring the resilience and dignity of those who endured such profound injustice.

  • Native Londoner, Onah’s practice is influenced by his blended British/Nigerian heritage – exuding a strength and grit that speaks to London’s underground art scene. His use of colour and understanding of light oozes connections to the rich tapestry and texture of traditional Nigerian art. His portraits, often starkly back-lit or drenched in a ‘golden hour’ haze allow him to capture a pure emotive dialogue with the viewer.

    Onah’s early fascination with comic book artistry is prevalent in his works with a clear nod to artists such as Frank Miller & Dave Gibbons; this marriage of polar aesthetics have allowed Onah to shape an unmistakable visual identity evident in each painting.

    Onah’s latest series delves deep into the human psyche, reflecting the intricate emotional landscape experienced in the aftermath of trauma. Drawing from both personal and observed encounters, the artist invites viewers on a journey of contemplation, welcoming them in, to explore life’s profound questions and discover beauty within the depths of the human spirit.

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